2. 哪齣劇本 Mozart 與 Gluck 都曾譜成歌劇？
(1) 後宮誘拐
(2) Idomeneo
(3) Paride ed Elena
(4) La Clemenza di Tito
3.哪齣劇情非來自希臘神話?
(1) Iphigenie en Aulis/Tauris
(2) Alceste
(3) Don Giovanni
(4) Paride ed Elena
4. Select the correct statement.
(1) 盧梭 (Rousseau) 欣賞 Pergolesi 的合聲 harmony
(2) Rameau's Zoroastre 與 Mozart's Die Zauberflote
都有共濟會 freemason 的關聯
(3) During the Quarrel of Buffouns, Rameau was pitted against Mozart.
(4) Rameau's Platee is about dragonflies.
5. Which opera is not a traditional "rescue opera"?
(1) Beethoven's Fidelio
(2) Cherubini's Two Days (Les deux journees)
(3) Smetana's Dalibor
(4) Gluck's Alceste
6. 奧利地利皇帝 Joseph II 用後宮誘拐 (Entfuehrung) 在外交上
(1) 聯俄攻土
(2) 聯法抗德
(3) 聯美抗依
(4) 抗美援朝
8. 哪位哲學家認為 Don Giovanni 象徵人不可遏止的慾望？
(1) 黑格爾 (Hegel)
(2) 叔本華 (Schopenhauer)
(3) 齊克果 (Kirkegaard)
(4) 尼采 (Nietzsche)
9. 哪位不屬於魔笛中的莊歌劇部分？
(1) Tamino
(2) Queen of the Night
(3) Sarastro
(4) Papageno
10. Which opera is not about conjugal (of marriage) love between man and wife?
(1) Fidelio
(2) Alceste
(3) Orphee et Euridice
(4) Cosi fan tutte
II. 填充與簡答 (40%)
1. 列舉 Gluck 歌劇改革之兩項特點
2. Mozart 之 Le Nozze di Figaro, Don Giovanni, Cosi Fan Tutte
通稱作 Da ______ 三部曲
3. Briefly describe your favorite opera or aria covered in class and why.
4. 簡述費加洛婚禮的 Barbarina's aria 並請暖身準備齊唱
L'ho perfuta... me meschina!
Ah, chi sa dove sar恷? (repeat)
Non la trovo... (repeat)
L'ho perfuta... me meschina!
Ah, chi sa dove sar恷?
E mia cugina...
E il padron, cosa dir恷?
